CITY OF LIFE AND
DEATH
This film has been well recognized as a sober drama of the
horrors of the massacre of Nanking in 1937. It takes all of one’s energy to
endure the extraordinary violence portrayed in the film. There is nothing
positive to mention, except that it captures in a fiction the extreme horror
that was so real to so many.
However, what I experienced was something that has often
seemed so strange to me, viz., hatred. Whenever I read about the Sunnis and their conflicts
with the Shias and Kurds, or the Tutsis and Hutus, or the Irish Republic and
Northern Ireland, I tend to be amazed that such hatred to last for generations. Watching this film made it easy for me
to understand how such hatred could be generated by such atrocities as occurred
in Nanking.
The film has a long series of pure violence, killing with no
regard of the other. For the Japanese soldiers, the Chinese inhabitants were no
more than gnats needing to be swatted away. How one can perpetrate such
violence on another is beyond my comprehension and yet, I was “forced” to stay
with the film in spite of my horror even watching it vicariously.
I started to think how I could possible counsel those whose
family suffered such a horrendous fate. What could I offer that possibly could
make it different so that their hatred could be ameliorated? I was unable to
come up with a narrative that would even attempt to modify their feelings of
hatred of their enemy.
If the hatreds documented between ethic groups that result
in death and violence flows from a history “comparable” to the Massacre that
occurred in Nanking, I feel totally helpless and despair of a day when the
world could ever experience a peace that we all pray for.
0 comments:
Post a Comment